In the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his limbs defined beneath a simple white T-shirt. On stage, ballet dancers can appear like powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. With delicate features and piercing eyes, there's a hint of a brooding actor about him.
An Apparent Rise to the Pinnacle
At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted each year, reaching the highest position of lead dancer in 2018. He has loved taking on meaty dramatic roles, particularly the psychological angst found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
His upcoming starring appearance is as himself, in an "Evening With" event designed to offer intimate insights into a performer's art. He will walk the crowd through a part, showing his cognitive process while execution. Even in lighter works, the test is profound. "Don Quixote is one of the most demanding technically," he states.
The Psychological Struggle and After the Show Feelings
How does he feel following a show, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel self-conscious later. After Mayerling I'm always like: God, what must people think?"
In person, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer once observed on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Drivers and Creative Inspirations
Ball's tenacity originated in youthful setbacks. Not doing well in contests at school made him "vengeful!" This became fuel to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
An upcoming challenge is making his own choreography. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, music, and art.
Close-Up Performance and Private Partnership
He also favors presenting dance in more intimate venues. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They are not usually matched on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Bodily Perception
On social media, fans can see clips from his projects and images that showcase a sculpted form. Does he care that the response can be a bit objectifying? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on various levels.
Ball describes his younger self as "desperate for success." Has it lived up to his expectations? "I feel very aware of how life is a different thing to the aspirations you had as a young person," he reflects. He likely has another decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."